Zemfira Prokhorova

Bela Yasmine Script is a modern calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc.

I made this Bela Yasmine Font inspired by the concept of calligraphy classic and made it into a modern style, and I also added some ligature and alternatives that were very interesting when we applied it. I also tried to execute in a different way so as to produce this Bela Yasmine Script font.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

Thank You,

Mytha Studio

FS Sally is a graceful typeface. A refreshingly simple design that offers a crafted elegant finish to display and text typographies. Modern in its transitional style but with

a hint of the classic. Sally enables its forms

to sit with a distinctive aplomb in both

small and large amounts of text.

FS Ostro is a cosmopolitan typeface.

Named after a southerly wind that blows over the Mediterranean Sea, FS Ostro breathes warmth into letterforms with their roots in colder, stark Modern typefaces. FS Ostro draws inspiration from a wide range of sources such as the 19th century British Scotch Roman designs, Italian modern style typefaces and highly contrasted display Spanish examples. Its text version offers a consistent rhythm and robust texture that is easy on the eye. This elegant, cosmopolitan typeface is characterised by its thoughtfully modulated contrasts between thick and thin strokes, sharp angles, and sophisticated curves.

The letterforms are confident and fluid, creating an overall sense of refinement and modernity. One for the discerning, well-travelled reader.

FS Jack is a confident typeface. Cool sans serif, good looking and enthusiastic, honest, clear and to the point. Has Small Caps, Oldstyle & Lining Figures, Superiors, Fractions, Alternative characters.

FS Industrie is a systematic typeface.

An extraordinarily versatile new type system, with 70 variants built around five different widths and seven different weights.

Stylistically, FS Industrie feels direct and simple without sacrificing its humanity. It takes inspiration from German fonts of the 1930s, with their roots in manufacturing and signage. Each width and weight is drawn with subtle variations as you progress throughout the system, ensuring that each variant plays to its unique strengths. FS Industrie is a response to the changing nature of type, for brands responding to the changing nature of work.

FS Rome is a beautiful classic Roman caps font, based on Trajans column lettering

FS Blake is a striking typeface. Finely tuned in his mechanical and organic shapes, he offers a harmonious mix of generous curves and cursive spikes. Compact and solid, the punchy heavy weight is emphatic in display sizes whilst the lighter weights offer a sensitive modern elegance, sympathetic to small text setting. Within each weight, Blake reveals a different aspect of his character to support a variety of applications. A spiky, lively and versatile, contrasted font family.

FS Olivia is a poetic typeface. A surprising and cheery face that captures the twist and turns of pen and ink on paper. Finely balancing typographic conventions with unexpected irregularities, Olivia's design delivers texture rich text with plenty of personality.

FS Shepton is a natural typeface.

100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of signs used in a delicatessen or greengrocers. A series of display fonts for packagaing, advertising and point-of-sale.

FS Shepton offers up three alphabets that are similar in character but each with their own texture and style.

FS Dillon is a rational typeface. Its inspiration came from our exploration of the work and philosophy of the Bauhaus movement of the 1920s and 30s, their pursuit of simple, practical forms. To this we’ve added a thoroughly modern flavour, stark yet warm, imbued with the quirky individuality that has become a Fontsmith signature. The letterforms are simple and direct. Compact, with a large x height, they are built for maximum clarity, economy of space, and impact. But that’s not all. The Bauhaus sought beauty through function – we think we’ve achieved that too.

Albert’s a charismatic typeface. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.

FS Albert Pro has multilingual features, including Latin, Greek, Cyrillic, Small Caps, Oldstyle & Lining Figures, Superiors, Fractions, Alternative characters.

FS Brabo is an eloquent typeface.

Not a revival, but very much a contemporary & sturdier interpretation of a garalde – a class of typeface originating in the 16th century with characteristically rounded serifs and moderate contrast in between strokes. FS Brabo is a modern take on a workhorse serif typeface: colorful and versatile enough to adorn not just editorial projects but also signage, advertising, logotypes and other uses.

FS Lucas is a geometric typeface. Based on near-perfect circles, triangles and squares. Taking classic geo formal qualities that have been optimised for the demands of modern brands, online and offline usage, readability and accessibility. FS Lucas is the bold and deceptively simple result.