Zemfira Prokhorova

Pacific Atoll JNL is a stylized slab serif type design based on the movie title lettering for the 1942 wartime film “Pacific Rendezvous”, and is available in both regular and oblique versions.

According to Wikipedia, “…an atoll (sometimes known as a coral atoll), is a ring-shaped coral reef, including a coral rim that encircles a lagoon partially or completely. There may be coral islands or cays on the rim.”

Our new product Rekons - Sport Display, inspired by the title of the sports poster and We make it very energetically. Rekons font with strong and challenging nuances. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Within the pages of “The Essentials of Lettering” by Thomas E. French and Robert Meiklejohn (circa 1912) is an example for creating a sans serif alphabet and numerals.  

The lesson plate is entitled “Upright Single-Stroke Gothic”; a basic monoline font most useful for architectural and drafting plans because of its easy-to-read properties.

This type design is now available as Drafting Class JNL, in both regular and oblique versions.

Wildline is a fast logotype font, created to help you designing logotype or lettering that looks just like a hand-painted brush logo. 

Use it for designing signs, packaging, headlines, or a cool typographic print. 

Wildline has characteristics such as strength and confidence, while being dynamic, readable and very energic.

Containing extensive lingual support, it covers all Latin European and Asian scripts. 

The font contains all characters you'll ever need, including all punctuation and numbers. 

Ghost Sign JNL is a spurred serif type design based on the faded lettering of an antique brick wall sign for Homer Hardware [located in Homer, NY] and is available in both regular and oblique versions.

From Wikipedia:

“A ghost sign is an old hand-painted advertising sign that has been preserved on a building for an extended period of time. The sign may be kept for its nostalgic appeal, or simply indifference by the owner.

Ghost signs are found across the world with the United States, the United Kingdom, France and Canada having many surviving examples. Ghost signs are also called fading ads or brickads. In many cases these are advertisements painted on brick that remained over time. Old painted advertisements are occasionally discovered upon demolition of later-built adjoining structures. Throughout rural areas, old barn advertisements continue to promote defunct brands and quaint roadside attractions.

Many ghost signs from the 1890s to 1960s are still visible. Such signs were most commonly used in the decades before the Great Depression.

Ghost signs were originally painted with oil-based house paints. The paint that has survived the test of time most likely contains lead, which keeps it strongly adhered to the masonry surface. Ghost signs were often preserved through repainting the entire sign since the colors often fade over time. When ownership changed, a new sign would be painted over the old one.”

A thin Roman typeface with slab serifs shown in various editions of the American Type Founders’ Specimen Book as either Lining Antique or Lining Central Antique was the model for Specimen Book JNL which is available in both regular and oblique versions.

This is the 1700th design released by Jeff Levine Fonts since its inception in January, 2006 and was named Specimen Book JNL to celebrate the era when metal type and letterpress were the modern technology of their time.

Town Meeting JNL (available in both regular and oblique versions) is a modified version of Mud Creek JNL (which was based on Tuscan Egyptian – a classic wood type).  The side spurs were removed and the split serifs were replaced by slab serifs.

Texto is a synonym of SMS (Short Message Service) in french. As a SMS that you would send or receive from a friend, this typeface is friendly, warm and informal. It is a humanist sans-serif typeface that comes in 9 weights to meet all needs.

“News Gothic” has been a reliable workhorse of a font since it was created by Morris Fuller Benton and first offered for sale in 1908 by American Type Founders.  

A clean, legible design used for text copy, it can also double as a light headline face.

This reinterpretation (named Columnist JNL) is available in both regular and oblique versions.

Wood Clarendon JNL is based on Hamilton Clarendon Condensed (circa 1899) and is available in both regular and oblique versions.

The design of this typeface retains many of the charming (but slight) design irregularities often found within pantograph-cut wood type from the 1800s through the early 1900s.

The extra bold sans serif stencil lettering on movie posters and lobby cards for “Reform School Girl” (a 1957 film by American International Pictures) was the basis of Reform School JNL, which is available in both regular and oblique versions. 

Manufacturer JNL is a reinterpretation of the classic type face Venus Extra Bold Extended, and is available in both regular and oblique versions.

According to Wikipedia:

“Venus or Venus-Grotesk is a sans-serif typeface family released by the Bauer Type Foundry of Frankfurt am Main, Germany from1907 onwards. Released in a large range of styles, including condensed and extended weights, it was very popular in the early-to-mid twentieth century. It was exported to other countries, notably the United States, where it was distributed by Bauer Alphabets Inc, the U.S. branch of the firm.”

A vintage newspaper front page from June 6, 1944 proclaimed “France Invaded” in a bold, condensed wood type that has been revived as News Event JNL – available in both regular and oblique versions.

Benzin is a geometric sans serif family that comes in 5 weights.

This is a universal font that can be used for both headings and paragraphs, thanks to the customized kerning for bold and thin style. In the thin style, the kerning is more sparse, in the bold style it is more dense. This allows you to immediately use a bold style in large headlines and posters, and a thin style in small texts and paragraphs. This is very convenient and you don't need to think about setting up kerning.